Job is a psychological thriller that tackles a broad range of contemporary issues, including gun violence, mental health, the dynamics of personal power, and the moral sewers made available by big tech.
This two-hander is set in a therapist’s room, where the protagonists move like seasoned martial arts warriors as they explore and probe for weaknesses and vulnerabilities. The interaction plays out like skilled investigators trading blows, seeking to set the tone and dictate the terms.
The cast features Loyd (played by Darren Gilshenan), as the empathetic yet cunning older therapist, juxtaposed with the unpredictable and spirited Jane (played by Jessica Clarke), a troubled content checker from a major internet company.
The action begins immediately with a stark display of fear and threat before transitioning into the familiar structure of a work-related mental health review. Tension builds relentlessly as the struggle between therapist and client ebbs and flows.
Clarke, as Jane, exhibits great physicality and emotional range, commanding the stage, the room, and the session. Her character is powerful yet vulnerable.
Without elaborate staging, Job effectively illustrates the disintegration of the situation as the pieces come together, suggesting that Jane’s crumbling grip on reality may reflect a larger story. The set emphasizes the precariousness of the situation. It’s a confined space, an arm wrestle, a battle for existence played out on a postage stamp.
Loyd understands that he must regain control and plays his hand skilfully. He exudes empathy and experience as he attempts to diffuse the situation. When he defers the next client via text message, we know an epic resolution is inevitable. The pace intensifies, and the stakes rise; it becomes a life-or-death drama.
Great cast, dramatic, discussion starting, big canvas. Job well done.
**Note:** Definitely 18+ for sexual themes and gore references.
Review by Greg Day, opening night performance.
