Reviews

‘The Effect’: Love and Other Pharmaceuticals
It’s love, ethics and neuroscience in Lucy Prebble’s high-voltage psychological drama The Effect, presented by Theatre Works until Saturday 18 April. Reviewer Olivia Di Grazia grapples with the side-effects of the staging.

Trauma Speaks in Beyond the Neck
Theatre Works new staging of Tom Holloway’s Beyond the Neck, an emotionally resonant work based on testimony from those affected by the Port Arthur massacre. Marking 30 years since thirty-five lives were lost, this production assumes new relevance and poignancy in the wake of the tragic Bondi shootings. Review by Olivia Di Grazia.

The Final Bow: Summer of the Seventeenth Doll
Summer of the Seventeenth Doll, the grand finale of Lawler’s legendary Doll Trilogy, is not just a poignant portrait of illusion and arrested development, but a tragedy tracing the transformation of vitality into mythology, tradition into prison, hope into despair. TWiSK reviews play three in the Trilogy.

‘Other Times’ Adult Stakes
Other Times, the second instalment of Ray Lawler’s monumental The Doll Trilogy, functions more as a bridge than a destination. It testifies to the disenchantment that often lies on the other side of adulthood. TWiSK reviews the second part of the Doll trilogy.

Kid Stakes: The Sparkling Summer of the First Doll
Not since 1985 has Ray Lawler’s The Doll Trilogy –the Australian classic Summer of the Seventeenth Doll and its later-written prequels Kid Stakes and Other Times – been staged in its entirety. TWiSK reviews Kid Stakes in the first of a trilogy of reviews.

Hope Sings in Robot Song
Reviewed by Olivia Di Grazia for TWiSK. Playing at Theatre Works until 21 February.

Game, set and match? Midsumma rom-com
Tradition and ambition rally for the win in Australian Open writes Olivia Di Grazia in her review of the latest Theatreworks production. Until 31 January at Theatreworks Acland Street.

The Fatal Kiss of Revenge
In the hands of Theatre Works and Th’Unguarded Duncan, Shakespeare’s theatrical black sheep refracts carnage and calamity with caustic, comical bite. Olivia Di Grazia reviews Titus Andonicus playing at Theatre Works until 22 November.

Bladderwrack: A Nautical Fever-Nightmare
Reviewer Olivia Di Grazia gives Bladderwrack a mighty whack with her fearless keyboard. But as she writes, ‘If the thought of a three-minute-long fart interlude makes you shiver your timbers, you won’t be disappointed.’

Ancestral Voices Reveal What Lies Beneath
Fringe 25 @ Theatre Works: Three generations of women grace the stage in an ode to the seasons, to becoming, to womanhood. The show culminates in a stirring call to arms. Reviewed by Olivia Di Grazia.
